|
Below is the original script for The
Discovery of Spoons, as presented to John for illustration.
I didn't compose a full script until after my own abortive attempt
to illustrate this poem. When I did write the script, I did so with
John in mind specifically--perhaps a bit presumptuous, since I had
never actually spoken to him at the time! Fortunately, he liked
the script and agreed to take it on. What I wanted in an artist
for this piece was somone with an eye for design, and not just illustration.
That happens to be a particular strength of John's, which is why
I felt he was the perfect person for this piece.
Each of the ten pages is to be a square of equal size, divided
into panels as needed. It is not necessary for panels to use up
the entire space available - allowing panels to float in the grey
field is encouraged. Each page should include the display of its
stanza number. This may precede the page, or be inset into one of
the panels, or even be presented as a separate panel in each page.
Page 1
Panel 1
Close-up of hands at a keyboard, typing. The setting, if discernable
is in a home office, at a cluttered desk.
CAP: I wrote a poem today.
CAP: It wasn't very good.
Panel 2
A glass of water sits on a kitchen counter. Beside it are a balled
up piece of paper and a spoon.
CAP: I poured a glass of water/to wash it down.
Page 2
Panel 1-3
Three small overlapping panels descend from the top left at a diagonal.
They depict the glass from page 1 falling, rotating slightly, water
splashing out. In the final panel, the glass hits the tile floor
and shatters, sending water and glass across the floor.
Panel 4
A grey field that serves as background to the first three panels,
but also contains text.
CAP: I awoke suddenly,/ripples of broken glass/still spreading across
the floor.
Panel 5
Close-up on a man's bare feet, standing in the puddle of water and
broken glass. If the bottom of his pants are visible, they are pajama
pants.
CAP: My feet were wet, but unharmed.
Page 3
Panel 1
An empty office cubicle. On the desk is an In/Out box -- the In
side includes a stack of papers requiring attention. The Out side
is empty. The computer is turned on, but not in use. A jacket hangs
from a hook on the wall. Also on the desk are a MetaNETCOM.com mug
and a couple of spoons.
CAP: I brought a book to work/and hid in the bathroom/most of the
morning.
Panel 2
Two pieces of poetry printed out on official MetaNETCOM.com stationary
sitting on the desk. The MetaNETCOM.com mug sits on the corner of
one of the pages, and the two spoons seen earlier are also nearby.
CAP: In the afternoon I wrote/two pieces of corporate poetry.
Page 4
Panel 1
The phone on the desk, ringing in a loud startling manner.
CAP: I awoke suddenly.
Panel 2
Focused on the computer screen, with the telephone wire crossing
the screen. In the bottom right corner of the computer, the time
is visible, but not readable yet.
CAP: My wife wanted to know when I was leaving.
Panel 3
Close on the bottom right corner of the screen, focused on the clock.
The time is 7:03.
CAP: I had forgotten to go home.
Page 5
A blank grey field containing only text.
CAP: That night, my wife read the two poems I had written at work.
CAP: "These are lifeless," she said.
CAP: I shrugged. "Of course they are."
CAP: "Maybe your boss will like them," she said.
Page 6
Panel 1
A pot of soup bubbles on the stove.
Panel 2
Ladling soup into a bowl.
Panel 3
Shot of the inside of the silverware drawer -- plenty of knives
and forks, but the spaces for spoons are empty.
Panel 4
Shot of the silverware holder in the dishwasher -- more forks and
knives, but no spoons.
Panel 5 (Runs vertically down the full length of the right side.)
Grey panel with only text.
CAP: My wife asks where all the spoons are.
CAP: "They're gone," I said.
CAP: "All of them?"
CAP: "I bought more."
CAP: "Well, where are those?"
CAP: "They're gone too."
Page 7
Panel 1
Strips of paper, each with a poem written on it. A number of spoons
also on the table. Hands in the panel are rolling up one of the
strips.
CAP: Sixteen poems on sixteen strips of paper.
Panel 2
The hands are slipping a rolled up poem over the handle of a spoon.
CAP: Each slipped onto the handle of a spoon.
Panel 3
Close-up on the bowl of a spoon, with text inscribed.
CAP: One by one,/ I toss the spoons over the edge/and listen to
each metallic cry/as the spoons bounce from rock to rock.
Panel 4
Close-up on a spoon with a poem around its handle landing in water
with a splash.
CAP: Each poem gets swallowed by the water below.
Page 8
Panel 1
A rain of spoons falling into the ocean, on a bright sunny day.
CAP: "Why spoons," she asked.
CAP: "Poets like spoons./You see it all the time./Are you mad
at me?"
CAP: "I'm worried about you."
CAP: I shrugged.
Panel 2
A grey box in the bottom right hand corner of the page.
CAP: "And where did you do that, anyway?/We live on Long Island./There
aren't any cliffs."
Page 9
Panel 1
Shot of the empty cubicle. The In box is even more full. The Out
box is still empty.
CAP: Today they found the spoons.
CAP: The poems were all gone;/dissolved and flushed away.
CAP: A guy I work with says:/"I was in the bathroom/when it
happened./I kept hearing this sound/like metal striking the toilet."
Page 10
Panel 1
Close-up of a toilet bowl. In the bowl we can see sixteen spoons
in a tangle, partly submerged in the water.
CAP: He asks, "Why would someone/throw spoons in the toilet?"
CAP: I just shrug./I can't even imagine.
|